剧情简介
佳妍来到独自居住的侄儿民在家，点击无奈地决定住在民在家，点击民在对久违的佳妍感到好奇。一天，国舒去民在家拿东西，遇到佳妍，佳妍直接勾引国舒，民在知道真相之后，一段混乱的多角恋才刚刚开始。
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佳妍来到独自居住的侄儿民在家，点击无奈地决定住在民在家，点击民在对久违的佳妍感到好奇。一天，国舒去民在家拿东西，遇到佳妍，佳妍直接勾引国舒，民在知道真相之后，一段混乱的多角恋才刚刚开始。
蛋糕炸弹
回复 :A doctor takes in a mysterious man who washes ashore at her remote cottage with a gunshot wound. Quickly they both learn the killer has arrived to finish the job, while a storm has cut them off from the mainland.
尼尔岱尔蒙德
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
陈韦伶
回复 :高雄是日治時期的軍事重地，也是二二八事件中遭受嚴重軍事鎮壓的地區。本片尋訪經歷過二戰的台籍日本兵、二二八事件雄中自衛隊成員，及二二八事件受難者遺族，他們走過被噤聲的年代，恐懼及創傷如影隨形，成為一生都無法卸下的歷史馱負，鏡頭緩緩隨著他們的日常身影流動，他們從日常中撿拾記憶，還原歷經歷史劫難的生命軌跡，從被迫參戰的無奈際遇，到失去親人又背負標籤、跌宕波折的成長處境，沒有悲憤控訴，只有娓娓傾吐，讓他們重新擁有屬於自己的個體傷痕記憶。深植在他們身體裡的記憶，也留存在時間、空間的縫隙中，本片亦靜靜凝望散落高雄各地的軍事遺址，見證著工兵的血淚與青春；當倖存者逐漸凋零，就以訴說及凝視抵抗遺忘，記憶猶如在這塊土地上努力生長的野番茄，結出強韌的生命果實，展現堅毅不拔的姿態。
