剧情简介
十九世纪末，全彩残暴的地主Seamus Laurent屠杀了一个罗姆人部族，全彩给他的家庭和村庄带来了诅咒。在接下来的日子里，镇民们被噩梦所困扰，Seamus的儿子Edward失踪，一个男孩被发现被谋杀。当地人怀疑是野生动物，但来访的病理学家约翰-麦克布赖德警告说，森林里潜伏着更邪恶的存在。
狂三本子全彩福利
十九世纪末，全彩残暴的地主Seamus Laurent屠杀了一个罗姆人部族，全彩给他的家庭和村庄带来了诅咒。在接下来的日子里，镇民们被噩梦所困扰，Seamus的儿子Edward失踪，一个男孩被发现被谋杀。当地人怀疑是野生动物，但来访的病理学家约翰-麦克布赖德警告说，森林里潜伏着更邪恶的存在。
阿郎
回复 :根據身兼賭徒與作家的阿佐田哲也的自傳體小說改編，由插畫師轉身影人的和田誠的首作，交出了一部奇趣的賭片。故事的主人翁
筋斗云
回复 :大概是法国第一部描写女同志的故事片吧。Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
埃尔顿约翰
回复 :Unable to find inspiration for his newest piece, young author Liam (Daryl McCormack) takes on the titanic weight of tutoring the son of legendary writer J.M. Sinclair (Richard E. Grant) and his wife Hélène Sinclair (Julie Delpy). Reeling from the mysterious passing of their eldest son, the Sinclairs push Liam to work harder and invite him to stay on the estate grounds with them. Soon enough, lies big and small unfurl as a well-intentioned exercise quickly transforms into a saga of lust, betrayal, jealousy, and the quest for legacy-defining relevance. A battle of wits begins with everyone carrying much to lose. Delpy, Grant, and McCormack all make triumphant returns to Tribeca in a drama bubbling with explorations of authorship and the inextricable link between family, no matter how broken. Thrilling and darkly comedic, the project questions the efficacy and sour ethical dynamics which may arise from mentorship and the tenuous hopes and dreams many wrap around that very concept.
